Girls, girls, girls; shy girl, sexy girl, they all like that fancy world. This line from the song by Sailor from 1976 doesn’t fit our idea of women. Our selection of female creatives – which are gathered in this issue – tackle challenges.
Visitor by Vincent Ferrané (b. 1974, French) is a series of photographs of women artists in their studio in Paris.
Seasons Series draws inspiration from Kim Ki-Duk’s seminal film Spring, Summer, Fall, Winter… and Spring in which different actors, for each season, play the same character who is abandoned on a lake next to a floating monastery.
The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations—Sherko Abbas, Sadik Kwaish Alfraji, Ali Arkady, Luay Fadhil, Shakir Hassan Al Said, Nadine Hatton, Jewad Selim, and Sakar Sleman—together
The first reference monograph on the artist, this catalogue follows the first institutional exhibitions of Roccasalva held at the MAGASIN in Grenoble and at the Kölnischer Kustverein in Cologne.
The repetition of images, visual sequences, accidental similarities and free associations form the alphabet of a mysterious language.
This series of photographs by young Belgian photographer Stine Sampers is presented in a simple, no-frills format.
This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016).
The book Libya: Inch by Inch, House by House, Alley by Alley is part of a series of publications about nations at war, or in crisis;
The towering sign saying ‘Meubelgalerie Vynckier’ rises up in an ordinary street in the urbanised town of Waregem.
